Jane Schoenbrun's queer slasher movie 'Teenage Sex and Death at Camp Miasma' jolts Cannes

CANNES, France (AP) — “A good electric chair” is how Jane Schoenbrun describes their first Cannes Film Festival premiere.

“I really felt like my body was in a state of convulsion,” says Schoenbrun.

The day after the premiere of “Teenage Sex and Death at Camp Miasma,” a bold, bloody queer slasher film starring Hannah Einbinder and Gillian Anderson, Schoenbrun and their co-stars were still buzzing from the ecstatic response. The movie, one of the most prominent American films in Cannes this year, gave the festival a gonzo jolt.

For Schoenbrun, the leading trans filmmaker of their generation, the film extends their intensely personal exploration of gender and the movies that defined their youth. But their first two films — 2024’s “I Saw the TV Glow” and 2021’s “We’re All Going to the World’s Fair” — were the raw, burning products of Schoenbrun’s transition. “Teenage Sex and Death at Camp Miasma,” drawn from Schoenbrun’s happy, exploratory post-transition life, isn’t that.

It’s about desire and sex. It’s a biting satire of reboot-mad Hollywood. It’s a schlocky and subversive slasher movie homage. It’s a lot of fun, and quite tender, even when bodies are blood-spurting geysers.

“This is the first movie that feels like it represents the fullness of who I am,” Schoenbrun says.

But Wednesday's moment of triumph in Cannes was hard-won. Ten years ago, Schoenbrun, now 39, was working in the film industry in a job they hated.

“The first time I came here, I just felt like, ‘Oh my, god. I can’t believe I’m in Cannes.’ I went to, like, ‘The Lobster,’ at the Palais in my boy tux. I was like: ‘This is it. I’ve done it,’” says Schoenbrun. “Then the next year I came back and I was so depressed. I decided to quit my job. If I’m depressed at Cannes, there’s something that needs to change. I know I want to be here but I need a better reason to be here.”

They pause and then smile. “I just can’t believe that it ended up working out.”

Einbinder (“Hacks”) plays Kris, an indie filmmaker hired to direct a reboot of “Camp Miasma,” a decades-spanning slasher series. Studio executives are looking for a fresh origin story. For Kris, it’s a dream job. Since seeing the first movie on VHS as an 8-year-old, she’s been obsessed with the movies.

While visiting the iconic camp of the film, she encounters Billy Presley (Anderson), the Final Girl from the first movie. Their unfolding relationship opens up both inspiration for the movie Kris (but not executives) wants to make, as well as her own sexual anxieties.

“I wanted to be part of a thing that I thought would be important to exist in the world,” says Anderson. “This film is really important and I think it’s going to rectify a lot of things.”

The film industry satire of “Teenage Sex and Death at Camp Miasma” has some real-world echoes. Even though “TV Glow,” released by A24, was an indie event, Schoenbrun’s third film was turned down everywhere but Mubi, which releases it Aug. 7.

“It was kind of shocking to me that it was just pass after pass after pass,” Schoenbrun says. “You don’t know, in the way you never know as a trans person. You’re like: ‘Maybe there’s something about my otherness that you’re not into.’ Hollywood can feel like a mafia. I think it was a f---ing shame.”

For Schoenbrun, the kind of cultural assumptions about what’s mainstream can become a self-fulfilling prophecy.

“Your movie is not commercial because they think it’s not commercial,” they say, citing the white men who dominate Hollywood executive ranks. “We’re in such a bled-dry moment. You can really feel it with the s--- that’s coming out.”

Einbinder, starring in her first film, was drawn to the deeply felt nature of Schoenbrun’s work.

“There is fiction around it, but Jane is a personal filmmaker and these movies are allegorical to their experience in many ways,” she says. “That affected me.”

Schoenbrun was determined to make it, regardless. “How much did they make the original ‘Friday the 13th’ for?” they asked. Remaining resolute was the key, just as it was for Schoenbrun in writing a soon-to-be-released 600-page fantasy novel — just as it was in changing their fate in Cannes 10 years ago.

“My movies are obsessed with this idea of what it takes to make something real,” says Schoenbrun. “I have a tattoo to make sure I wrote my book that says ‘Make it real.’ This is very much an ideology: We can remake ourselves and the world around us.”

Hannah Einbinder, from left, director Jane Schoenbrun and Gillian Anderson pose for photographers at the photo call for the film 'Teenage Sex and Death at Camp Miasma' during the 79th international film festival, Cannes, southern France, Wednesday, May 13, 2026. (AP Photo/Andreea Alexandru)

Gillian Anderson poses for portrait photographs for the film 'Teenage Sex and Death at Camp Miasma' during the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

Hannah Einbinder poses for portrait photographs for the film 'Teenage Sex and Death at Camp Miasma' during the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

Director Jane Schoenbrun poses for portrait photographs for the film 'Teenage Sex and Death at Camp Miasma' during the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

Gillian Anderson, from left, director Jane Schoenbrun, and Hannah Einbinder pose for portrait photographs for the film 'Teenage Sex and Death at Camp Miasma' during the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

NEW YORK (AP) — Harvey Weinstein ’s rape retrial ended in a mistrial Friday after the jury deadlocked.

While the former Hollywood mogul has been convicted of other sex crimes on two U.S. coasts and remains behind bars, the mistrial leaves the New York rape charge in limbo after three trials.

A majority-male Manhattan jury had been weighing whether Weinstein raped Jessica Mann, a hairstylist and actor, in 2013. Weinstein’s lawyers argued that the encounter was consensual. It happened during a fraught relationship between the then-married Weinstein and the decades-younger Mann.

THIS IS A BREAKING NEWS UPDATE. AP’s earlier story follows below.

NEW YORK (AP) — Jurors said they were at loggerheads Friday in Harvey Weinstein 's rape retrial, but a judge told the panel to keep trying for a verdict in the closely watched #MeToo-era case that another jury failed to decide last year.

The signs of stalemate emerged a few hours into the third day of deliberations. Jurors sent a note saying they “have concluded that they cannot reach” a unanimous verdict. Judge Curtis Farber instructed the group to continue deliberating. That's generally what New York judges do at least the first time a jury says it's stuck.

Jurors then returned to their closed-door discussions. They're tasked with deciding whether Weinstein — the former movie mogul who became a symbol of the #MeToo movement's campaign against sexual misconduct — raped hairstylist and actor Jessica Mann in a Manhattan hotel room in March 2013.

An appeals court overturned his 2020 New York conviction on charges that involved Mann and another accuser. At a retrial last year, jury deliberations broke down amid infighting on Mann’s portion of the case, leading to this current retrial. Weinstein is charged with one count of rape in the third degree.

Mann, 40, has testified that she willingly had some sexual interludes with the then-married producer, but that he subjected her to unwanted sex that day after she repeatedly said no.

Weinstein's lawyers maintain that the encounter was consensual. They have emphasized that Mann subsequently continued seeing Weinstein and expressing warmth toward him. Mann has said she was mired in complicated feelings about him, herself and what had happened.

Her viewpoint changed in 2017, when a series of allegations against the Oscar-winning Weinstein propelled #MeToo. Some of those accusations generated criminal convictions against Weinstein in New York and California.

Weinstein, 74, has said he “acted wrongly” but never assaulted anyone.

The current jury heard nearly three weeks of testimony, five days of it from Mann. Weinstein did not testify.

The Associated Press generally does not identify people who say they have been sexually assaulted. Mann, however, has agreed to be named.

Harvey Weinstein appears in Manhattan criminal court on Friday, May 15, 2026, in New York. (Steven Hirsch /New York Post via AP, Pool)

Harvey Weinstein appears in Manhattan criminal court on Friday, May 15, 2026, in New York. (Steven Hirsch/New York Post via AP, Pool)

Harvey Weinstein appears in Manhattan criminal court on Friday, May 15, 2026, in New York. (Steven Hirsch /New York Post via AP, Pool)

Harvey Weinstein appears with attorney Marc Agnifilo in Manhattan criminal court, Thursday, May 14, 2026, in New York. (Spencer Platt/Pool Photo via AP)

Harvey Weinstein appears in Manhattan criminal court, Thursday, May 14, 2026, in New York. (Spencer Platt/Pool Photo via AP)

Harvey Weinstein appears with attorneys Marc Agnifilo, left, and Jacob Kaplan in Manhattan criminal court, Thursday, May 14, 2026, in New York. (Spencer Platt/Pool Photo via AP)