Foreign interference in Hong Kong’s judiciary “deplorable”

Mark Pinkstone/Former Chief Information Officer of HK government

The arrest and subsequent trials of Apple Daily publisher Jimmy Lai and radicals involved in riots in 2019-20 have been used to weaponize Hong Kong’s judicial system.

The Chief Justice, Andrew Cheung, hit out at critics undermining the rule of law in Hong Kong during the opening of the Legal Year on Monday by describing the politization of the Court as “deplorable”.

He was referring to the resignation of Judge Jonathan Sumption who wrote in the Financial Times on June 10 last that "Hong Kong, once a vibrant and politically diverse community is slowly becoming a totalitarian state. The rule of law is profoundly compromised in any area about which the government feels strongly," This, of course, was the weapon the China/Hong Kong hawks needed to degrade our legal system.

Other judges said they resigned for personal reasons, and this may well be the case. They are an ageing lot and came out of retirement to serve in Hong Kong.

Article 85 of the Basic Law specifically guarantees that the judicial power shall be exercised independently and free from any interference. These are not a mere form of words, but a constitutional mandate that has always been and continues to be vigorously upheld by our judicial system.

Judges, far from being designed to serve political ends, are bound by legal principles. Courts are not arbiters of public opinion, nor are they an extension of the prosecution authority; they are, above all, guardians of the law. Their decisions are reasoned, published, and subjected to appeal. It is through this process that the rule of law is upheld.

The presence of overseas judges, said Cheung, has long stood as a symbol of Hong Kong's commitment to legal excellence and judicial independence. It is unfortunate that a few of these judges have felt unable to continue their service. They are, of course, entitled to their views, and their decisions ought to be respected. However, their premature departures does not mean a weakening of the quality or independence of the Judiciary. It is true that, given the current geopolitical headwinds, recruiting overseas judges with the right stature and experience may be less straightforward than it once was. Overseas judges are appointed to our highest court on account of their acknowledged eminence and legal expertise, not merely to sustain the system of overseas judges for its own sake. Still, as the Court of Final Appeal continues to include both highly esteemed overseas and local non-permanent judges, and their continued participation, speaks to the enduring strength and resilience of the Court.

Despite the number of resignations, one must not overlook that Lord Neuberger, the former President of the Supreme Court of the United Kingdom, has agreed to extend his term for three years from March 1, 2024; and Justice Allsop, the former Chief Justice of the Federal Court of Australia, was appointed for a term of three years from May 24, 2024. And most recently, Lord Hoffmann, the longest serving foreign judge was first appointed back in 1998, has been reappointed for another three years from January 12 this year.

The judges have been severely criticised by their respective governments for serving in Hong Kong and following the rules laid out in the national security laws. These laws are precisely the same as their own and have been adapted into Hong Kong’s local laws, a hybrid of the British local system.

They have also come under pressure from their peers. Many judges, like Sumption, are members of the British House of Lords and are undoubtedly influenced by fellow lords, including Lord Chris Patton and Lord David Alton, both patrons of China Watch, a rapid anti-Hong Kong/China group hell-bent on destabilising Hong Kong.

The historical rationale for the presence of overseas judges in our highest court is clear. In the 1990s, Hong Kong lacked senior judges with experience at the final appellate level. Pre-1997 these were held in London by the Privy Council, selected from the House of Lords. This posed a challenge for filling the judicial positions to be created following the establishment of the Court of Final Appeal in 1997 to replace the Privy Council in London as Hong Kong's ultimate appeal court. The appointment of distinguished overseas jurists as part-time, non-permanent judges to our highest court therefore addressed the inevitable shortfall and served the further purpose of instilling confidence in Hong Kong's judicial system in the post-1997 era.

Secretary for Justice, Paul Lam SC, weighed in with anyone who intimidates judges handling national security cases or interferes with the relevant judicial proceedings in whatsoever manner cannot be genuinely concerned about the rule of law in Hong Kong.

“Over the years,” he said, “the contributions of these overseas judges to the work of the Court and to the upholding of the rule of law have been immense and have been rightly recognised. During this same period, through the efforts of many, the Court of Final Appeal has firmly established itself as a prominent final appellate court within the common law world.”

In the 2024 World Justice Project Rule of Law Index, Hong Kong remained unchanged as it continued to rank sixth in the East Asia and Pacific region and came 23rd out of 142 countries and jurisdictions globally.

One of the difficult tasks of the appeals judges is defining free speech, the defence used by appellants, and opinion. Many journalists and academics write opinions on current affairs in newspapers and other media, often criticizing the administration. This is known as fair comment. However, others write with false claims in the name of free speech and if it is aimed at a person or corporation, the author can be sued for slander or defamation of character. If it is written against the government, there is little government can do except issue a rebuttal. And this is where the national security laws comes into play.

These laws apply in all countries, not only Hong Kong. Hong Kong has had serious experiences in the misuse of opinion as free speech where it instils hatred against the administration and misunderstanding of the law, resulting in many cases being brought before the courts on charges of subversion.

The national security law has brought peace and stability to Hong Kong and Hong Kong is safer than most places in the world with our legal system being untouchable.

Mark Pinkstone

** The blog article is the sole responsibility of the author and does not represent the position of our company. **

Without a doubt Hong Kong is a major player in global financial markets, an accolade that is being further enhanced with the city’s rising status as the top arts hub in Asia with global recognition in its sights.

International attention is focused on Hong Kong during March as it hosts a series of art-related events culminating in the world-acclaimed Art Basel Hong Kong 2026. For Hong Kong and, indeed, the art world, this is a major event where outstanding works of art are displayed and sold.

Art Basel Hong Kong kicked off locally in 2013 and has become a prominent flagship on the city’s international calendar every year thereafter. And it brings in thousands of visitors. Last year, for example, it featured 240 galleries from 42 countries and regions, attracting 85,500 visitors, half of which travelled to Hong Kong for the event. Another 240 galleries from Australia, Japan, Turkey, the Netherlands, France, Georgia, Spain and the United States are taking part in the exhibition this year.

A curtain raiser to Art Basel is the home-grown Art Central along the Central harborfront, which featured some 117 galleries with 500 artists from around the world. That makes 357 galleries featured in these two exhibitions this week.

This highlight of Hong Kong’s event calendar is a boon for our tourist industry, attracting several million visitors in a single month. Hotels are booked to capacity and bars and restaurants report an additional 15-20 per cent increase in revenue during the month. Government economists estimate that every 1.5 million tourists add HK$3 billion to Hong Kong’s Gross Domestic Product (GDP).

Since its inaugural edition in 2015, Art Central has established itself as a leading platform for innovation in contemporary art, advancing the profiles of artists and galleries and reinforcing their presence within the international art landscape.

It was Betty Fung Ching Suk-yee, CEO of the West Kowloon Cultural District Authority (WestK) who noted that the cultural industry is closely connected with finance, as family offices are increasingly looking to invest in art in Hong Kong.

“We could also work with financial institutions to encourage more of their clients to become art collectors,” she said. “It’s not going to be overnight, you might first become a member of a museum, then a patron, then you might start to buy or even donate.”

Having already developed a reputation as an art trading centre, the city is now making its mark as an arts and cultural hub, led by the continued development of WestK.

These two art exhibitions are in a place where new talent is discovered. Collectors generally buy art from well established artists like Pablo Picasso, who has a collection of about 30 pieces of his works on display at the Hong Kong Convention and Exhibition Centre. These art pieces are regarded as minor works and can be purchased for several thousand US dollars.

The art market has fully recovered from the declines due to the COVID outbreak and in 2024 sales of art works through auctions and private negotiations reached about US$39 million (HK$300 million).

The art market is full of artists that have yet to gain a following or break into the blue-chip world. Up-and-coming artists often produce top-tier quality works for a fraction of the price of blue-chip pieces because they don’t yet have the name recognition. Up and coming artists who have won competitions organised by the Sovereign Art Foundation and others have made the first step to such recognition.

Knowledge of the art world and art market is helpful, so beginners are not likely to stumble upon the next Andy Warhol. This form of investing is highly speculative compared to investing in old masters or blue-chip work. The exhibition is a showcase for new artists to make their debut to the international buyers and collectors looking for new talent with potential.

Hong Kong’s West Kowloon arts hub has signed agreements with 12 international institutions from Australia, the UK, Saudi Arabia and elsewhere, paving the way for future collaborations as the city seeks to strengthen its role as an East-meets-West cultural hub. This will help bring more international performances to the city, showcase Hong Kong productions to global audiences, support the exchange of talent and more. The agreements were signed during a two-day International Cultural Summit held in conjunction with the cultural festivities.
But the agreement which cements Hong Kong as the arts hub of Asia was that signed by Art Basel of Switzerland to continue holding Art Basel Hong Kong for the next five years.

The collaboration with Art Basel for the next five years is the result of sustained investment in Hong Kong’s role as a global financial centre, collaboration and a shared commitment to make Hong Kong a place where the arts can truly flourish.

Internationally acclaimed artists bring fame to Hong Kong, a melting pot where culture transcends borders. And even without such major events, Hong Kong’s array of galleries along Hollywood Road is a living museum of fine arts, a major tourist attraction in the city.