Around-the-clock rescue efforts are underway in Pereira in western Colombia, as the critical 72-hour rescue window to find trapped survivors nears its close following Monday's devastating earthquake.
The 7.5-magnitude quake jolted cities across Colombia's western region at 07:34 local time on Monday, completely destroying the eight-story Dibeni Hotel in Pereira.
Rescue workers said that 13 people were in the landmark hotel when the earthquake struck.
Eight bodies have been recovered from the rubble so far.
The search is being hampered by the sheer complexity of the debris, with concrete and steel reinforcement knotted in an impenetrable maze.
"We are forming human chains to clear the rubble as quickly as possible. The more people we have, the faster we can move the debris -- and the sooner we can reach those trapped beneath. We believe there are still people alive under the ruins. We won't lose hope until the very end. That's why we're willing to work through the night, around the clock. No matter how long it takes, if we can fulfill our mission, it will all be worth it," said Paula Campos, a rescue volunteer.
Many local residents have come to bring water and food to the rescue teams.
While some parts of Pereira still lack running water and electricity, the community continues to stand together in solidarity.
The latest official data on Thursday showed that the death toll from the earthquake has risen to 273, with 3,824 people injured and 377 still missing.
Rescue efforts intensify after Colombia quake
Rescue efforts intensify after Colombia quake
Breaking long-standing Western heroic narrative conventions in filmmaking, the trending Chinese anti-war film "Once Upon a Time in the Middle East", is reshaping global cinematic discourse on war and peace.
The summer blockbuster was released on Tuesday nationwide and had earned box office revenue of more than 536 million yuan (around 79.5 million U.S. dollars) as of 22:00 Friday.
The story centers on Xu Fu, a down-on-his-luck Chinese chef portrayed by celebrated comedian Shen Teng, who travels to the Middle East to settle his debts. There, he joins forces with a local restaurant manager to operate a bustling restaurant, bringing authentic Chinese culinary traditions to a war-torn foreign land.
As a distinct Chinese anti-war feature, "Once Upon a Time in the Middle East" abandons timeworn Western heroic storytelling. The film adopts the humble viewpoint of Xu Fu, an ordinary cook. Through his eyes as a neutral bystander, it portrays the struggles and sufferings of ordinary people trapped in conflict and uses food and everyday life to explore survival, compassion and the value of peace, rather than focusing on the battlefield.
Such a narrative perspective is quite pioneering among global anti-war film productions.
"It realistically reflects the turmoil of war. Therefore, we desire peace and oppose the suffering that wars of aggression inflict upon the people," a moviegoer praised.
Meanwhile, the blockbuster has garnered massive overseas anticipation prior to its international debut. Many global film enthusiasts agree that the production epitomizes a transformative shift in Chinese film industry, which is overhauling Hollywood's established narrative paradigms and reinterpreting the global narrative of war and peace at a higher level.
"Just imagine how this story would unfold if Hollywood were to film it. It would almost certainly follow the standard formula of superheroes, super-soldiers, or elite operatives swooping in, resolving the crisis in a flash, and then disappearing. What does the 'Once Upon a Time in the Middle East' offer? The idea that the best days are those spent sharing a meal together. Conversely, what drives people to fight instead of dining together? Anyone who has seen the film knows the answer. That is why some netizens have said that if this movie were to compete for a U.S. Oscar award, it would be a voice representing the Global South," said Zuo Heng, a researcher at the China Film Archive.
Many scholars also hold the view that war narratives on international screens have long revolved around contests of victory and military conquest, but "Once Upon a Time in the Middle East" does not stoke hatred nor glorify victory by force. Instead, it hides the key to peace amid the mundane routines of daily meals.
This vision of peace, rooted in the moderation and inclusiveness of Chinese civilization, blazes a new trail of expression for global anti-war films.
It constitutes an innovation in film creation and enables the world to see perceptions of peace different from those of the West.
"The film delivers an anti-war perspective that diverges from the Hollywood paradigm. It abandons Hollywood-style individualism, and quietly challenges the 'America First' mindset. 'Once Upon a Time in the Middle East' keeps exploring innovative approaches to shape contemporary Chinese discourse and narrative systems," said Sun Jiashan, a researcher with the Department of Chinese Culture Education and Research under the Central Institute of Socialism.
Chinese anti-war film offers new cinematic narrative on war and peace
