Dolce & Gabbana explore DNA with star-filled cast

Milan designers are embracing women of all shapes, sizes and ages, even if the young, thin model prevailed during this week's previews for next spring and summer.

Marni's runway included women of different sizes while Dolce & Gabbana continued their embrace of models in a range of ages and sizes for their DNA runway show on Sunday.

Highlights from Sunday's show, the fifth day of previews of womenswear for next spring and summer:

Model Carla Bruni Sarkozy, centre, walks with other models as they wear creations as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

DOLCE & GABBANA PAY TRIBUTE TO HERITAGE

Dolce & Gabbana retraced their DNA by bringing back some of their most famous models: Carla Bruni in a brocade suit, Monica Belluci in a fitted polka-dot dress, Eva Herzigova in a frothy black chiffon number, and a caped Isabel Rosselilni, who walked with her children Roberto and Elettra carrying her young son.

In the brand's bid for inclusion, they sent grandmothers with granddaughters, husbands and wives, lesbian couples and curvy models, including Ashley Graham.

Model Eva Herzigova wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Cardi B kept a careful eye on the collection from her front-row seat, taking off her animal skin-covered D&G sunglasses to take in the steady stream of flash. Her eyes stayed glued on an embroidered shawl jacket with mini-skirt, mouthing, "I like that," with a sassy shoulder shake.

The elaborate collection by Domenico Dolce & Stefano Gabbana displayed the designers' unrivaled aptitude for over-the-top looks with a something-for-everyone range. There were pretty layered floral dresses with jeweled sandals, bejeweled biker jackets with tuxedo tails, raw jute fabrics in fringed day suits and tiered dresses in sparkly organza.

While the collection incorporated the duo's well-known motifs, including prints of the Madonna, Sicilian references and floral prints, there was also a pointed message on one netted top: "Fatto a Mano," or "handmade," to underline the commitment to craftsmanship.

A model wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

The designers also provided a subtle hint of an upcoming project for Milan and Rome: a Christmas market inside the Rinascente department stores featuring Dolce&Gabbana styled appliances and their own range of the Milan Christmas cake, panettone, with flavors from their beloved Sicily. The hints included a Santa Claus figurine carried by a model and a print that echoes the unique panettone tin.

THE LIGHTNESS OF BEING ARMANI

Giorgio Armani's collection for next spring and summer was meticulously sculptured out of iridescent, dreamy blue, gray and pink textiles that collect the light. The main point of contrast, a bright fuchsia, which has become the power color of the season in Milan.

A model wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

The looks had what the designer called "a liquid lightness," derived from a range of understated colors — save for a touch of fuchsia.

"It is all mixed and very subtle in terms of colors. The color this time gave form to the clothes," Armani said backstage.

The silhouette was elongated, often with a layer of organza that wrapped the figure or was layered over trousers for a misty effect. A plexiglass bustier gave shape to a micro-pleated dress.

A model wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Armani continued his mastery of the jacket with fluid jackets over straight trousers, or slim-fitting leather jackets with trousers colorful water color prints, and blousons with a long layer of tulle spilling out. One dramatic cape-like jacket had exaggerated military detailing on the shoulders, worn over a shimmering organza fitted suit.

The collection had futuristic touches, from a cellophane look on footwear to mesh carryalls.

"This is a woman who wants to be noticed," the designer said. "She doesn't slink away dressed as a man."

Models wear creations as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Armani saluted the crowd wearing a jacket and tie instead of his usual dark blue T-shirt or sweater.

"You didn't recognize me, did you?" he joked backstage.

MARNI'S WAKEUP CALL

The fashion crowd woke up early Sunday for a fashion call, only to go back to bed in the Marni showroom. Designer Francesco Risso's latest kooky seating arrangement was a series of beds in the shape of an amphitheater.

A model wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Risso was exploring the classics in more ways than one. The silhouette was mostly classic and tailored, with edgy touches that gave the collection the air of a desperate, punk housewife. But he also incorporated elements from the ancient classical world, including prints with architectural elements — a departure from Marni's traditional florals — and jewelry shaped like the Venus de Milo.

The art was all in the construction. Skirts were swept up like a sarong, worn with off the shoulder bustiers, but with sturdy fabrics that suggest the city and not light beachy fare. Risso put a new twist on the Roman toga in sleek, form-fitting textiles. Bomber jackets had half belts sewn into the back. Full-skirted dresses had front panels, some left as a blank canvass, others with prints.

Risso included in his model casting average-size women, who made clear the collections can have a broad audience.

Models wear creations as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Colors ranged from soft creams and yellows to louder reds and blues. Eye wear were dramatic pointy sunglasses.

MISSION CELEBRATES HERITAGE LOOKING TO FUTURE

Missoni treated the fashion crowd to a sweeping view of the new Milan skyline of skyscrapers by architects Zaha Hadid, Arata Isozaki and Daniel Libeskind to celebrate its 65th year.

Model Monica Bellucci leads other models as they wear creations as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Creative director Angela Missoni said she chose the terrace overlooking the City Life quarter and beneath Mario Bellini's silvery sculpture "Comet," because the view represented "the most futuristic place in Milan."

"This place is a dream. This place summarizes the future," she said.

The looks for men and women were delicate in tone, weight and structure.

A model wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

For women, Angela Missoni constructed layered works, incorporating fresh detailing like tiered ruffles and braided overlays of yarn, for a playful touch. The men's looks were relaxed and functional, including kimono tops, long T-shirts and cardigans.

Model Ashley Graham wears a creation as part of the Dolce & Gabbana women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoAntonio Calanni)

Designer Giorgio Armani, centre, poses with models at the end of his women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

Designer Giorgio Armani, centre, poses with models at the end of his women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

A model wears a creation as part of the Giorgio Armani women's 2019 Spring-Summer collection, unveiled during the Fashion Week in Milan, Italy, Sunday, Sept. 23, 2018. (AP PhotoLuca Bruno)

The Golden Globes bill themselves as Hollywood’s booziest bash. This year, is anyone ready to party?

Political tension and industrywide uncertainty are the prevailing moods heading into Sunday night's 83rd Golden Globes. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros.

A celebratory mood might be even more elusive given that the wide majority of the performers and filmmakers congregating at the Beverly Hilton in Beverly Hills, California, oppose the policies of President Donald Trump. Likely to be on the minds of many attendees: the recent U.S. involvement in Venezuela and the fatal shooting of 37-year-old mother Renee Good in Minneapolis by Immigration and Customs Enforcement.

But through their ups and downs, the Globes have always tried to put pomp over politics. Host Nikki Glaser has vowed as much.

“You’d be surprised that half the room had no clue why I was saying ‘Venezuela,’” Glaser told The Associated Press earlier in the week, referring to her comedy-club warm-ups. “People aren’t getting the news like we all are.”

Glaser, a comic known for her roast appearances, has promised to go after A-listers in her second time hosting.

“We’re going to hit Leo,” Glaser said. “The icebergs are coming.”

Here’s what to look for at this year’s Globes:

The Golden Globes kick off at 8 p.m. EST on CBS while streaming live for Paramount+ premium subscribers. E!’s red carpet coverage begins at 6 p.m. EST.

The Associated Press will be have a livestream show beginning at 4:30 p.m. Eastern with a mix of stars' arrivals, fashion shots and celebrity interviews. It will be available on YouTube and APNews.

The overwhelming Oscar favorite “One Battle After Another” comes in with a leading nine nominations. It’s competing in the Globes’ musical or comedy category, which means the drama side might be more competitive. There, Ryan Coogler’s “Sinners,” Chloé Zhao’s “Hamnet” and Joachim Trier’s “Sentimental Value” are all in the mix.

But thus far, “One Battle After Another” has cleaned up just about everywhere. Much of Paul Thomas Anderson’s cast is nominated, including DiCaprio, Teyana Taylor, Sean Penn, Chase Infiniti and Benicio Del Toro.

If it and “Sinners” take home the two biggest prizes, it will be a banner night for Warner Bros. even as its future hangs in the balance. The studio has agreed to be acquired by Netflix is a deal worth $82.7 billion. Movie theaters have warned such a result would be “a direct and irreversible negative impact on movie theaters around the world.”

The merger awaits regulatory approval, while Paramount Skydance is still trying to convince Warner shareholders to accept its rival offer.

After an audacious promotional tour for “Marty Supreme,” Timothée Chalamet is poised to win his first Globe in five nominations. In best actor, comedy or musical, he’ll have to beat DiCaprio, a three-time Globe winner, and Ethan Hawke (“Blue Moon”).

In best actress, comedy or musical, Rose Byrne is the favorite for her performance in the not especially funny A24 indie “If I Had Legs I’d Kick You.” One prominent nominee in the category, Cynthia Erivo (“Wicked: For Good”), won’t be attending due to her schedule in the West End production “Dracula.”

Jessie Buckley (“Hamnet”) is the clear front-runner in best actress, drama. In the star-studded best actor, drama, category, the Brazilian actor Wagner Moura (“The Secret Agent”) may win over Michael B. Jordan (“Sinners”) and Joel Edgerton (“Train Dreams”).

In the supporting categories, Teyana Taylor and Stellan Skarsgård come in the favorites.

The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.

But in the fluctuating undulations of awards season, a good speech at the Globes can really boost an Oscar campaign. Last year, that seemed to be the case for Demi Moore, who won for “The Substance” and gave the night's most emotional speech. Mikey Madison (“Anora”), however, scored the upset win at the Oscars.

A few potentially good moments this year went instead in a Golden Eve ceremony earlier this week. There, the Cecil B. DeMille and Carol Burnett honorees, Helen Mirren and Sarah Jessica Parker, accepted their awards.

One to watch, if he wins, will be the Iranian director Jafar Panahi. His revenge drama “It Was Just an Accident” is up for four awards. Panahi has spent most of his career making films clandestinely, without approval of authorities, and was until recently banned from leaving the country. Last month, he was sentenced to a year in prison, which would be only his latest stint behind bars if Panahi returns home to serve it. This week, protests over Iran’s ailing economy have spread throughout the country in a new test to Iran's leaders.

For the first time, the Globes are trotting out a new podcast category. The nominees are: “Armchair Expert,” “Call Her Daddy,” “Good Hang With Amy Poehler,” “The Mel Robbins Podcast,” “SmartLess” and “Up First.”

In TV, HBO Max’s “The White Lotus” — another potential big winner for Warner Bros. — leads with six nominations. Netflix’s “Adolescence” comes in with five nods.

But the most closely watched nominee might be “The Studio.” The first season of Seth Rogen’s Hollywood satire memorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”) “The Studio” is up for three awards, giving three chances for life to imitate art.

For more coverage of this year’s Golden Globe Awards, visit: https://apnews.com/hub/golden-globe-awards

Tessa Thompson arrives at the Golden Globes Golden Eve on Tuesday, Jan. 6, 2026, at The Beverly Hilton Hotel, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

Nikki Glaser rolls out the red carpet during the 83rd Golden Globes press preview on Thursday, Jan. 8, 2026, at the Beverly Hilton in Beverly Hills, Calif. (AP Photo/Chris Pizzello)