Ashley McBryde fell off the horse and went into the 'Wild.' Her new album is her most personal yet

NEW YORK (AP) — A few years ago, Ashley McBryde fell off the horse.

“That's not a figure of speech, sadly,” the country star told The Associated Press. “I was really, really badly hurt, and it was a bad enough injury that there was a chance that I wouldn’t have been able to perform ever again.”

It was 2021. She was riding in Montana, and fell, landing on her head. The accident — so severe that she ended up in an emergency room — resulted in a concussion and stitches to her scalp. At the time, she couldn't walk without assistance.

In the years since, McBryde thought about all of the songs she and her band rip through on stage but hadn't yet committed to record. “What if I keep letting them not be on records? What if something had happened and now somebody never hears “Water in the River”? Somebody never hears “Rattlesnake Preacher.” Somebody never hears “Creosote” because I let myself be discouraged in this way or that way from putting those on the record?”

And so “Wild” — her new album out Friday, produced by John Osbourne and recorded with her live band Deadhorse — became their home.

The live tracks that gave birth to “Wild” are barn burners, a rowdy good time. So, McBryde knew she needed to find a way to strike some balance. She pursued divination practices like reading runes, going to a tarot reader, doing anything and everything she could to have her fifth album reveal itself to her. The answer was in the experimentation, a “playful, curious” writing process with her band.

“The more we looked at the songs that we had felt like playing — and doing a good job of delivering — (we found they) were true stories about my life,” she recognized. “It's terrifying to be known.”

But it's also cathartic — as is the realization that “whatever it was that I was going through, I’m not unique. There’s nothing I’ve been through that most of us haven’t been through or are going to go through,” McBryde explains. “It’s not about me, it’s about us.”

McBryde's last album, 2023's “The Devil I Know,” had a rebellious streak to it — as does “Wild” and the bulk of her discography. When critics said something “was too rock, we turned that up. They said something that was too country, then we put a toothpick in its mouth. And I think by the time we got to ‘Wild,’ I didn’t care anymore. It was that level of defiance,” she said. “It's none of my business. My job is to make sure these songs get heard.”

She calls this album her most rock ‘n’ roll — sonically, like what is found on the first four tracks — and emotionally, embodying her fiery spirit on the cutting treatise on domesticity, “Lines in the Carpet,” the heartfelt mission statement of the title track and everywhere in-between.

“Does the wild call out to you from a distance?” she starts her first chorus on “Wild.” Then, the revelation: “Do you miss the fire and the freedom? / When there wasn’t anything keeping / You from being wild.”

“There are people out there with natural ability and there are people that dedicate every waking hour to honing their craft. Ashley is both,” Osbourne said in a press statement. “Never settling. Always reaching. The perfect combination of vulnerable and fearless.”

That combination is also evident on the songs that appear to detail her struggles with addiction. McBryde got sober in 2022, the specter of past indiscretions heard on the beery ballad “Bottle Tells Me So” and the gut-wrenching “Behind Bars.”

“I was terrified that I was gonna suck,” she says about songwriting after getting sober. “It’s not like I’d get hammered to write a song, but I would have drinks while writing songs.” And maybe a couple did suck, she guesses, “because they were just from such angry or unsatisfied places.” But she's worked on herself, and now, “these songs are just grown. And I'm glad. I got out of my way.”

It's good advice for anyone, and a central theme of the album. She wants “Wild” to shake something loose, to inspire her listeners to take a chance on themselves.

“Let’s say that someone doesn’t get to be what they wanted to be when they grow up. I will shoulder that for you,” McBryde says.

She wants to access that dreamer. “I want that to wake up in you when you hear this record,” she says.

Call it catharsis, call it enthusiasm, call it whatever you want. McBryde has her own word for it: “It's a recognition.”

Ashley McBryde poses for a portrait on Monday, April 27, 2026, in New York. (Photo by Andy Kropa/Invision/AP)

Ashley McBryde poses for a portrait on Monday, April 27, 2026, in New York. (Photo by Andy Kropa/Invision/AP)

Ashley McBryde poses for a portrait on Monday, April 27, 2026, in New York. (Photo by Andy Kropa/Invision/AP)

Ashley McBryde poses for a portrait on Monday, April 27, 2026, in New York. (Photo by Andy Kropa/Invision/AP)

Disney exceeded most expectations in the second quarter due to strength in its streaming service and strong spending at U.S. theme parks that offset weak international tourism.

The Walt Disney Co. warned early this year that its theme parks division would likely see modest growth due in part to declining tourism from abroad.

International tourism in the U.S. has waned for a number of reasons after President Donald Trump’s return to the White House, including tariffs, a crackdown on immigrants, and repeated jabs at alliednations.

In the Experiences division, which includes Disney’s six global theme parks, its cruise line, merchandise and video game licensing, operating income climbed 5% to $2.62 billion and revenue hit $9.49 billion in the quarter. Operating income rose 5% at domestic parks, while operating income edged up 1% for international parks and Experiences.

However, overall attendance at U.S. parks declined 1% from the same time last year due to declining international tourism.

Disney said Wednesday that domestic parks and resorts are doing well, but that the company is aware that customers are facing heightened inflation and soaring energy prices. Disney expects year-over-year attendance at its U.S. parks to improve in the current quarter.

Shares jumped 8% Wednesday.

Chief Financial Officer Hugh Johnston said during Disney’s conference call that the company is not seeing any change in consumer behavior from elevated gas prices so far, but that the business remains mindful of economic conditions and can make adjustments if needed.

For the period ended March 28, Disney earned $2.25 billion, or $1.27 per share. A year earlier it earned $3.28 billion, or $1.81 per share.

Stripping out one-time gains and losses, earnings were $1.57 per share, easily beating the $1.49 that Wall Street expected, according to analysts polled by Zacks Investment Research.

The Burbank, California, company reported revenue of $25.17 billion, which was slightly above expectations.

Revenue for Disney Entertainment, which includes the company’s movie studios and streaming service, climbed 10%, while revenue for the Experiences division, rose 7%.

Disney is preparing for the release of several films, including “The Mandalorian & Grogu,”“Toy Story 5” and the live-action “Moana.”

“Franchise films like these strengthen our most strategic asset – our intellectual property – and help fuel our streaming, consumer products, experiences, and games businesses over years and generations,” CEO Josh D'Amaro and Johnston said in a joint statement.

D’Amaro succeeded Bob Iger as Disney’s CEO in March to become the 9th CEO of the 100 plus-year-old company after overseeing its theme parks, cruises and resorts since 2020.

Just over a month into the job he was facing a challenge that had tested Iger's later years with Disney: Clashes with Donald Trump.

Last week, Donald and Melania Trump both called for ABC to fire Jimmy Kimmel after he described the first lady as having “the glow of an expectant widow.” Disney owns ABC.

Kimmel made the comment before a man with a gun stormed the White House Correspondents’ Association dinner and Trump was spirited out of the room by the Secret Service.

Last year, Kimmel was suspended by ABC following a comment made by the late night talk show host about assassinated conservative leader Charlie Kirk, a decision encouraged by Trump’s FCC chairman, Brendan Carr. ABC later brought Kimmel back.

Disney still anticipates double-digit growth for fiscal 2027 adjusted earnings per share, excluding the impact of an extra week in the period.

FILE - In this Aug. 8, 2017, file photo, The Walt Disney Co. logo appears on a screen above the floor of the New York Stock Exchange. (AP Photo/Richard Drew, File)